Cutroom
Who it is for
Different constraints, different maths. Find the one that sounds like your week.
One phone take becomes a finished ecommerce ad. *About 22 a month for $39.99.*
One phone take becomes a finished 9:16 ecommerce video ad, edited by AI, for about 110 credits. The price per ad matters because it decides how many angles you can afford to test. Here is the arithmetic, and how many ads a month each plan puts in reach.
Other stores run the same supplier clip. *Your own spoken read becomes eight ads they cannot copy.*
The strongest ad creative for dropshipping is a spoken read no other store can download. Cutroom turns one take into eight openings at about 110 credits each. Here is what the shared supplier clip costs you, and how to replace it in an afternoon.
Every take you film becomes a finished post, *without an evening in an editor*.
Video content for a personal brand stalls at the edit, not the filming. Cutroom turns one take into a finished 9:16 post for about 110 credits, no editing evening attached. Here is why the queue forms, and how many posts a month each plan puts back on the schedule.
Deliver four hook variants from one take, *without four unpaid evenings of re-cutting*.
UGC video editing is where a creator's rate leaks: one filming session, four unpaid re-cuts. Cutroom rebuilds the cut from the transcript, so a variant costs minutes and about 110 credits. Here is where the hours go, and what that does to a rate card.
One founder take becomes a finished ad, *without a hire, an agency or a free Thursday*.
Ad creative for startups does not need a hire or an agency. Cutroom turns one founder take into a finished 9:16 ad for about 110 credits. The account stopped at two ads because nobody owns creative, not because of budget. Here is how a sales call becomes an ad, and what 22 attempts a month changes.
Keep the craft work in your timeline. *Send the hook variants here and get them back in minutes.*
AI video editing does not replace your craft work. It takes the variant work that pays worst per hour. Cutroom rebuilds a cut from the transcript, so a hook variant costs minutes and about 110 credits. Here is what it takes off you, and what stays in your timeline.
One client take becomes twelve tested openings, *without a single assembly hour*.
Video ad production for agencies is priced by assembly, which is why the retainer says four videos a month. Cutroom turns one client take into twelve tested openings at about 110 credits each. Here is where the retainer leaks, and the scope line that replaces it.
You sell one programme. *One filmed answer tests twelve ways to open it.*
Video ads for coaches work by testing openings, not offers. You sell one programme, but the first line that stops a stranger changes by audience. Cutroom turns one filmed answer into twelve openings at about 110 credits each. Here is where the words already exist, and what twelve cost.
Skip the product tour. One take from your sales team becomes *an ad that works on cold traffic*.
Video ads for SaaS work cold when a person names the problem before the product appears. Cutroom turns one AE take into a finished 9:16 ad for about 110 credits. Here is why the dashboard tour fails cold, where the script already exists, and what sixteen tested objections cost.
A finished ad in ten minutes, *not in an evening you do not have*.
Video ads for a solo founder have to fit the ten minutes you actually have. Cutroom turns one phone take into a finished ad for about 110 credits, no editing evening attached. Here is what the unmade ads cost, and how the loop fits a one-person week.
Your course already contains the promo. *Re-say it once and get twelve launch ads.*
The best video ads for online courses teach one idea, and you already filmed yours somewhere in the course. Cutroom turns that passage, re-said to camera, into twelve launch openings at about 110 credits each. Here is the method, and what a stocked launch week costs.
Your neighbours see every ad three times. *Give them a fresh ad every week.*
Video ads for a local business live or die on rotation, because a five mile radius sees the same ad three times a week. Cutroom turns one take behind the counter into a finished ad for about 110 credits. Here is why rotation beats budget, and what four fresh ads a week cost.
The video editing app for barbers: *talk through the cut, get a finished video back*
Barbers film more than almost any trade. Fades, tapers, before and afters, whole transformations, all sitting in a camera roll. The edit is why they never post. Cutroom takes one talking take, lays your own cutting clips on your words, burns in captions, and returns a 9:16 video in about a minute. Here is how it works, what it costs, and what it does not do.
A video editor for car detailers: *talk through the job once, post it the same day*
Detailers film more than almost any trade. Foam, extraction, 50/50 shots. Most of it never gets posted. The edit costs an evening, and the day already took nine hours. Cutroom turns one spoken take about the job into a finished 9:16 video with captions, back in about a minute. Here is what it needs from you and what it costs.
Video marketing for dentists: *one take between patients becomes a finished video*
A dental practice films more than it posts, and editing is the reason. Cutroom takes one talking take of up to three minutes and returns a finished, captioned 9:16 video in about a minute. Here is how it works, what a month costs, and the one job it leaves you.
A video editor for hair salons: *one talking take becomes a finished vertical video*
Cutroom is a video editor for hair salons that needs one talking take and nothing else. Film yourself explaining the job, up to 3 minutes. A finished 9:16 video comes back in about a minute, captions burned in, your own clips placed on your words. Here is how it works, what it costs, and what it will not do.
Video marketing for lawyers: *film one answer, get back a finished video*
Most lawyers have filmed a video. Most of those videos never went up, and the recording was never the problem. The editing evening was. This page covers why that evening keeps losing to billable work, what Cutroom does with one talking-head take, and what it costs in plain numbers.
Video marketing for electricians: *show the work the wall hides*
An electrician's best work disappears the moment the plate goes back on. The customer sees a switch that works, not the junction that was one hot summer from a fire. Video is how the invisible work gets seen, and the edit is why most electricians never post any. Cutroom turns one talking take from the van into a finished 9:16 video, captions burned in, in about a minute. Here is what it does, what it costs, and when you do not need it.
Video marketing for landscapers: *your crew already filmed the ad*
A landscaping job produces its own footage. The overgrown bed on arrival, the skid steer time-lapse, the drone pass over the finished lawn. Most of it dies in a crew phone because the edit costs an evening nobody has in season. Cutroom takes one talking take, lays those clips on the exact words that describe them, burns in captions, and returns a finished 9:16 video in about a minute. Here is what it does, what it costs, and when a phone alone is enough.
A video editor for personal trainers: *one take in, one finished video out*
You film more than you post. Most trainers do. Cutroom is a video editor for personal trainers that takes one talking-head take, filmed on a phone between sessions. It returns a finished 9:16 video, b-roll placed and captions burned in, in about a minute. Here is what it costs, how the edit works, and what it does not do.
A video editor for photographers: *one talking take in, one finished vertical video out*
Photographers film more than they post. The behind-the-scenes clip from Saturday's shoot is still in the camera roll, because editing video is a second job on top of culling photos. Cutroom takes one talking take of up to 3 minutes and returns a finished 9:16 video, captions on, b-roll on the right words, in about a minute. Here is how it works, what it costs, and what it will not do.
Video marketing for plumbers: *talk at the van once, get a finished ad back*
A blocked drain gets searched in a panic, and the job goes to whoever looks real in the first three results. Video is how a plumber looks real before the callout. Cutroom takes one talking take, filmed at the van, lays your job footage on the exact words that need showing, burns in captions, and returns a 9:16 ad in about a minute. Here is how it works, what it costs, and when a phone alone is enough.
One take between patients becomes a *finished physio video*. About 4 minutes of your day.
Video marketing for physiotherapists usually dies at the editing step, not the filming step. The demo is on your phone. The evening to trim and caption it never arrives. This page covers why that happens, how one take becomes a finished 9:16 video in about a minute, and what it costs.
An AI video editor for real estate agents: *one take in, a finished video out*
You already film. The walkthrough on your phone, the piece to camera in the empty kitchen. It stays unposted because the edit is an evening. Your evenings are showings and contracts. Cutroom turns one talking take into a finished vertical video, and your part takes about 4 minutes. Here is what it makes, what it costs, and what it does not do.
The food gets filmed every service. *Turn one take into a finished ad before doors open.*
Video marketing for restaurants fails at the same step everywhere. The filming happens, the editing does not. Cutroom turns one talking-head take into a finished 9:16 ad with captions and b-roll, for about 110 credits, in about a minute. Here is what to film, what it costs, and what it will not do.
A video editor for tattoo artists: *talk through the piece, post the same day*
You film all day without trying. The stencil going on, the machine running, the healed check-in. Almost none of it gets posted, because editing starts after your last client leaves. Cutroom turns one talking take into a finished 9:16 video with captions, in about a minute. Here is how it works with your footage, what a month costs, and the limits to plan around.
A video editor for wedding planners: *one take becomes a finished Reel*
Planners and venues film more than almost any other business. Almost none of it ends up on their own feed. The edit takes an evening, and the evening after a wedding does not exist. Cutroom takes one talking-head take, up to three minutes, and returns a finished 9:16 video with b-roll and captions in about a minute. Here is how it fits the job, what it costs, and the flat limits to plan around.
Video marketing for financial advisors: *the approved script becomes the finished video*
A prospect does not hand their savings to a website. They hand them to a person they feel they have met, and video is how they meet you before the intro call. Cutroom takes one talking take, filmed at your desk, and returns a finished 9:16 video with captions in about a minute. The part built for your profession: the whole edit happens on the transcript, so every word of the finished video is readable as text before it posts. Here is how it works, what it costs, and what it will not do.
Video marketing for coaches: *the take exists, the edit was the bottleneck*
A coaching client is buying a person, and they want to watch that person think before they book a call. You already explain your framework out loud every working day, so the material is not the problem. The evening it takes to edit one video is. Cutroom takes one talking take from your phone, places b-roll on the exact words that need it, times the captions, drops the ums, and returns a 9:16 video in about a minute. Here is how it works, what it costs, and when a phone alone is enough.
Video for recruitment: *the vacancy gets a face before it gets applicants*
A candidate reads your vacancy the way you read their CV: looking for a reason to say no. A wall of bullet points hands them one. Sixty seconds of the hiring manager talking does the opposite, and it is the cheapest video in marketing because the speaker already works for you. Cutroom turns that phone take into a finished vertical video with captions in about a minute. Here is the method, the cost, and where a film crew still beats it.
Six segments a week, one editor, and a queue that never empties. *Each take comes back cut.*
A publisher rarely runs out of ideas for vertical clips. It runs out of the one person who cuts them. This page covers what a small edit bench actually clears in a week, how a recorded segment becomes a finished captioned vertical, and what each one costs in credits.
Media is bought to the cent. Creative arrives by the shoot. *One tested creative lands near $1.80.*
A media plan is costed to two decimal places. The creative plan is a shoot day and a hope. That gap is why a twelve cell test goes live with three cells filled. Here is what one tested creative costs in credits, how many a month each plan puts in the account, and what the format will not do.
Eleven ideas on the calendar, two edit slots in the week. *One expert take becomes a finished post.*
The quarterly plan listed eleven video ideas. By week three, two are posted and nobody can say out loud what happened to the other nine. What happened was the edit queue. This page covers the recording habit that fills a month in twenty minutes, the review loop that stops needing a screening, and what a weekly post costs.
Every agent in your state posts the same carrier graphic. *Answer one policy question on camera instead.*
An agent's marketing folder is full of assets somebody else made. The carrier's graphics, the carrier's video, the same renewal post every appointed agent in the state downloads this month. None of it separates you from the agency two blocks away. This page covers what does, what one desk take costs to turn into a finished vertical video, and what the software will not check for you.
A rate update is worth posting for about five days. *Nobody gives an evening of editing to that.*
Rate content has a short shelf life, and that is the real reason brokers stop making it. An asset that is stale by Friday cannot justify an evening in editing software on Tuesday. This page covers the weekly beat that survives that arithmetic, the phrasing habit that keeps an explainer from becoming advice, and what one video costs in credits.
One take in. A finished ad out. See it on your own footage before you decide anything.