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Dead air comes out. No cut ever lands inside a word

Cutroom shortens the long silences in one spoken take and, at the fast pace, drops the flagged ums, on its way to turning that take into a finished 9:16 ad. It is not a trimmer you feed arbitrary files. This page gives the exact pause lengths it cuts and keeps, in milliseconds, and why a cut mid-word is the one edit it refuses to make.

Where the fast pace starts cutting a pause
240 ms
What the chill pace still leaves alone
700 ms
Extra breath kept at a sentence end
+60 ms
Cuts that land inside a word
0

It cleans the take on its way to a finished ad. It does not hand your file back

The input is one talking take, filmed on a phone, up to three minutes.

On the way to a finished ad, the machine transcribes every word with timings, finds the silences, and tightens the ones that run long. The same pass, at the fast pace, drops the hesitation sounds the transcriber flagged.

What comes out the other end is a 9:16 MP4. Cut, captioned, covered with footage on the words you marked.

That is the honest scope. There is no mode that strips silence from a file and returns that file. If you want your podcast episode back minus the pauses, a no-cost tool already does it: Audacity has shipped a truncate-silence effect for years, and most phone editors have a version of the same thing.

So this page is for one reader. Somebody making short vertical ads from their own spoken take, who wants the dead air handled without ever touching a waveform.

Where the silence work happens, between upload and export

The tightening is one stage of the batch, not a separate tool. Only the export is charged again.

  1. Upload one take

    3 min ceiling, filmed vertical

  2. Transcribe

    Every word and every silence, timed

  3. Tighten

    Long pauses shortened to a breath

  4. Direct on the transcript

    Your marks, free until export

  5. Export

    9:16 MP4, 20 CR a minute

What counts as dead air changes with the pace you pick

There is no silence slider. You pick a pace, and the pace sets the threshold.

At chill, only a pause longer than 700 milliseconds is touched. At normal the line is 450. At fast it is 240, short enough to bite into the breath between fluent sentences.

A tightened pause is not deleted. It is shortened to a breath: 300 milliseconds at chill, 200 at normal, 130 at fast.

And a pause at the end of a sentence keeps 60 milliseconds more than one in the middle of a clause. A beat between sentences reads as intent. The same gap mid-clause reads as a lost train of thought.

That is why the output does not sound gated. Every silence a listener expects is still there. It is just no longer three times longer than it needed to be.

The pause length each pace starts cutting at

Anything under the bar for your pace is left exactly as you spoke it.

  • Chill700 ms
  • Normal450 ms
  • Fast240 ms

This is the whole editor

Highlight a phrase and a clip lands on those exact words. No timeline, no keyframes, no layers.

CLIPS · 5I have thisexact conversationeverysingle week. Somebody sits down and says,oh yeah, I takecinnamonevery day.And honestly, doc, I have no idea if it works.So let me tell you what isin that capsule.a clip lands on these wordscut from the editTAKING CINNAMONEVERY DAY?is it doing anythingHeadlineMusicCaptionsTHIS VIDEOLength25.0sClips5Words removed18Export video

Why a cut mid-word sounds robotic, and why sentence ends are safe

Most silence removers are volume gates. They watch the waveform, and when the level drops below a line for long enough, they cut.

Speech does not stop at word edges. Consonants trail off, and the s at the end of a word can sit below a gate's line while it is still being said. A gate clips it, and the word arrives amputated.

The breath is worse. People inhale before a sentence, and a gate reads an inhale as noise to remove. Strip every intake and the voice never seems to breathe, which the ear flags as wrong before the brain can say why.

A sentence end is different. The pitch falls, the word completes, the breath resets. A cut there matches what the listener already expected, so it registers as delivery rather than as an edit.

So the rule here is absolute. Silences are shortened, whole lines can be deleted, and the flagged ums go at the fast pace. Nothing is ever cut halfway through a word.

When it tightens a pause you wanted, the fix is words, not a waveform

The tightening is automatic, and automatic means occasionally wrong. A dramatic pause you planted on purpose is, to a threshold, indistinguishable from a lost thought.

The first fix is the pace setting. Chill leaves everything under 700 milliseconds alone, which covers almost any pause a person places deliberately.

The rest of the cleanup is yours, on the transcript. Delete the line where you restarted and the cut rebuilds around the gap. Change the pace and the whole read re-tightens to the new threshold.

Your original take is never touched. Every version is recomputed from the file you uploaded, so trying the fast pace and stepping back to normal costs nothing before export.

What it costs, and what to use when this is the wrong shape

One trip through the machine is 100 credits: transcription, the silence work, the directing pass and the footage search. Export is 20 credits per minute of finished video, so a thirty second ad is about 110 credits all in.

Three finished videos are free inside your first seven days, no card, on the 600 credits granted at signup, and they export with a Cutroom mark across the middle. Lite is $19.99 a month for 1,250 credits, nothing on the picture of a paid export, cancel in one click.

If your file is a podcast, a webinar or an hour of anything, this is the wrong shape twice over. The uploader stops at three minutes, and the output is always a finished vertical ad, never your cleaned original.

For that job, take the no-cost route: Audacity for audio, your phone's own editor for video. They hand your file back, which is exactly what this does not do.

Questions people ask

Can I upload any video and get it back with the silences removed?
No. The output is always a finished 9:16 ad built from your take, never your original file cleaned. If you want your own file back minus the pauses, Audacity does that job at no cost.
Will it ever cut in the middle of a word?
No. Silences are shortened to a breath and whole lines can be deleted, but a cut never lands inside a word. Sentence ends are where the pitch falls and the breath resets, so that is where cuts land.
Can I set the exact pause length to remove?
Not in milliseconds. You pick a pace. Chill cuts pauses over 700 ms, normal over 450, fast over 240, and each leaves a proportionate breath behind rather than a hard join.
What happens to my ums?
At the fast pace, the hesitation sounds the transcriber flags are dropped along with the long pauses. At chill and normal they stay, because a relaxed read with every hesitation removed sounds dubbed.
What does the silence removal cost?
Nothing separate. It happens inside the 100 credit batch, and export is 20 credits per minute of finished video. Lite is $19.99 a month for 1,250 credits, cancel in one click.
Is a podcast episode the right input?
No. Three minutes is a hard ceiling and the result is a vertical ad, not your episode. Use a long-form editor for the podcast and keep this for the takes you film to sell something.

Film the take with the pauses in. The machine can tell which ones were breathing and which were dead air, and no cut it makes will ever land inside a word.

3 videos free, no card3 finished videos free in your first 7 days, no card. They carry a Cutroom mark; Lite at $19.99/month removes it