Paste your own lyric. It comes back sung and mixed

The exchange is simple. You give it a lyric and a plain-language description of the sound. It returns a finished track with those words sung, arranged and mixed.

No session. No vocalist. No studio hours. No revision round. Twenty credits, any length.

Three tracks is 60 credits. That is less than a single one minute export and a fraction of the 100 credit batch. The 7 day trial gives you 300 credits with no card, which is fifteen attempts.

Basic is $39.99 a month for 2,500 credits and Premium is $79.99 for 5,000. A $15 top-up adds 1,000.

So the cost is not the constraint here. Your writing time is, which is a different problem and a better one to have.

One more input decides the result and it is not the music. The lyric arrives as text, so anything you would have clarified in a room with a singer has to be on the page before you press generate.

Count syllables per line and keep them roughly even. A four line verse running eight, nine, eight and fourteen produces a rushed final line every time.

The model fits your words into the phrase it has already built. Even lines produce even singing. That one habit fixes most complaints about generated vocals.

Spell difficult words phonetically. If your brand is spelled one way and said another, write it the way it sounds. The model reads letters rather than intentions.

Prefer open vowels on words you want held. Sung notes sit on vowels, so a line ending in day or slow lands better than one ending in strengths.

Avoid numerals, symbols and abbreviations. Write twenty-four seven rather than the digits. Keep the important line short so it has air to land in.

Count the syllables on your fingers, out loud. Reading silently hides the one that gets swallowed, and the swallowed syllable is usually inside your brand name.

There is no arrangement view and no vocal take picker. You cannot change the second verse of a track you otherwise like. That sounds like a missing feature and works as a discipline.

In a normal production process the session is the expensive part. So everybody revises around what has been recorded, and the lyric gets worse in small committee-shaped ways.

Here the expensive part does not exist. Changing a line and generating again costs 20 credits and a couple of minutes. That is less than the meeting about whether to change the line.

So the process is short. Fix the lyric. Resubmit. Compare. Keep every attempt.

Attempt three often beats attempt five once you have stopped listening for the flaw you were chasing.

A track costs 20 credits, so the correct move is to write three lyrics that argue differently and hear all of them.

One that leads with the problem. One that leads with the name. One that is only the offer, repeated.

Three drafts of the same idea tells you which wording you prefer. Three different ideas tells you which idea survives being sung, which is the question you actually have.

Then listen to all three in the room the ad will be heard in. Phone speaker, half volume, some noise nearby.

The one that survives that is the one, whatever a good pair of headphones told you in a quiet office.

Then keep the loser. A lyric that failed sung often works as the spoken opening line of the ad, and you would never have found that by writing one version.

It will not clone a specific singer or reproduce an existing song. Asking for a named artist is not worth attempting, and the output would not be yours to advertise with.

It does not guarantee your lyric is sung exactly as written. Phrasing is the model's decision, and unusual words or crowded lines get bent to fit.

It does not fix one line after the fact. No re-singing a phrase, no keeping the melody and swapping the words. You regenerate for 20 credits.

It does not sync to your video edit. In the editor the finished track is a switch, a track and a level, and nothing more.

And if the ad depends on a specific person being believed, do not open with a song. Sung claims read as advertising instantly. Perfect for a name you want remembered, wrong for a claim you need trusted.