No camera and no face, and the script is still your job

A rendered presenter costs 350 credits per minute of output, and it needs Basic at $39.99 a month for 2,500 credits. That is the biggest number in the product, so it goes first.

A generated read is 70 credits per minute, for when nobody wants to record the audio. The batch that cuts any video is 100 credits, and export is 20 credits per finished minute.

So a sixty second faceless video runs from about 120 credits filmed behind the camera, to about 540 with a rendered presenter and a generated read.

Read those numbers before the pitch, because the pitch is real but not magic. What the render buys is a face without a booking. What it does not buy is a video without work.

You hand the module one front-facing photo and one audio track of the script. It returns a lip-synced take of that person delivering your words.

That take enters the editor like filmed footage. It gets transcribed and cut, footage lands on the words that need showing, captions come from one of six packs, and the export is a 9:16 MP4.

The face has to be one you may use. Yours, or somebody who agreed in writing, and never a public figure. A stock portrait only works when its licence explicitly covers synthetic video.

Write the read short and cut away to footage often. A rendered face is most convincing in bursts, and a long unbroken hold is where viewers start to study it.

The uploader takes any video with speech in it, and nothing requires a face in the frame. Prop the phone over the desk or the product and talk while you show it.

Up to three minutes of that batches for 100 credits, and it comes back cut, captioned and covered like any other take. Your voice carries it. Your face is nowhere.

Footage coverage runs to 40, 45 or 52 percent of the video depending on pace, and the captions do the visual work a face would have done. On this build the caption pack matters more than on any other kind of video.

This build runs on Lite at $19.99 a month, because it uses no render. It is the cheapest honest answer to the faceless search, which is why it is on this page at all.

Faceless gets sold as effortless, and removing the camera does remove something real: the styling, the nerves, the reshoots. It removes none of the actual work.

Somebody still decides what the video argues. Somebody still writes it in sentences a voice can carry. Somebody still reads it, or pays 70 credits a minute for a voice with no opinion of the words.

The machine cuts what was said. The render moves a mouth in time with the audio it was given. Neither one improves a script, and a weak script comes back as a well-produced weak video.

Write with concrete nouns, because the footage search reads the words. Name the product, the number, the before and the after. Abstract lines give the search nothing to place.

Faceless channel usually means long uploads. Ten minute compilations, narrated stories, stock montage with a synthetic voice front to back. Say it plainly: that is not what this builds.

The source ceiling is three minutes of speech, the export is 9:16 vertical, and footage never covers more than 52 percent, because a person, a hand or a product stays the spine of the video.

For the long uploads you want a timeline editor and a music library subscription, and no purchase here changes that.

What fits is the channel's vertical end. The Shorts, the promos, the ads that point at the channel. One three minute session at the desk becomes those, on the numbers at the top of this page.